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  • THEATRE
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  • CONNECT

Named the 2026 Teacher of the Year by Wild Wonder Collective

Named the 2026 Teacher of the Year by Wild Wonder Collective

Named the 2026 Teacher of the Year by Wild Wonder Collective

Named the 2026 Teacher of the Year by Wild Wonder Collective

Named the 2026 Teacher of the Year by Wild Wonder Collective

Named the 2026 Teacher of the Year by Wild Wonder Collective

TEACHING ACROSS DISCIPLINES

Teaching Philosophy

  

As a nontraditional student for the latter part of my life, I have found that the best approach to teaching is one the encompasses having an open mind and a giving heart. Each student brings to the table a unique point of view cultivated by their own life experiences. I believe that creating a learning environment that includes active listening and engaging and collaborating with students yields a more effective and impactful class.


In theatre, there are so many different disciplines that flexibility and adaptability are key to running a successful program. Whether teaching a musical theatre camp of thirty elementary and middle school students or leading a lecture on playwriting, meeting people where they are and tailoring the curriculum or materials to that space is vital to creating a conducive learning environment. An example of this would be a lecture on the Cave of Altamira, arguably one of the earliest documented theatrical performances. For my Senior Performing Arts Class at Tarrant County College, I presented the material to retired learners through a lecture on the subject, supported by a PowerPoint and a guided notes handout. When presenting the same lecture to middle school students, I created a cave in my classroom where students could see, touch, and feel the Cave of Altamira, experiencing the material face-to-face.


The same is true for instructing writers across multiple genres. Understanding the different learning styles and modalities (online, classroom, community spaces) is important, and I try to incorporate materials that fit a student’s particular learning style, whether auditory, visual, kinesthetic, or a combination. As a kinesthetic learner myself, I appreciate it when an instructor takes the time to adapt the curriculum to my learning strengths. 


While this is important, instruction in the theatre arts also raises issues where a student’s safety is paramount, something I do not take for granted. Whether engaging an intimacy coordinator for a production or following OSHA workplace safety standards, I understand that there is more to building a program than just what’s on paper. The same is true for writers, whose sharing of their work can be vulnerable, so establishing a set of protocols that the class follows is vital to creating a safe learning space.  


I am a lifelong learner and consistently looking for ways to stretch and grow as a person and educator. I hope to bring that level of excitement for learning to any organization I am employed with. 

Woman smiling and holding a large trophy at an indoor water park.

TEACHING PORTFOLIO ARTIFACTS

SAMPLE WORKSHOP SYLLABUS: Creating Page-Jumping Dialogue (pdf)Download
SAMPLE WORSKSHOP PRESENTATION: Creating Page Jumping Dialogue-Lesson 1: What’s In A Name (pdf)Download
SAMPLE WORSKSHOP PRESENTATION: Creating Page Jumping Dialogue-Lesson 2: Who Are You? Who? Who? (pdf)Download
SAMPLE WORKSHOP EVALUATION: Creating Page-Jumping Dialogue (xlsx)Download
SAMPLE THEATRE TEACHING PRESENTATION: Greek Masks (pdf)Download
SAMPLE THEATRE TEACHING LESSON PLAN: Greek Masks (docx)Download
SAMPLE THEATRE LECTURE NOTES: Greek Masks (docx)Download
RESUME: Professional 2026 (pdf)Download

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